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MY OWN PRIVATE DIVA
By Terry Dobson
Theatre Three
Directed By Jac Alder
Special Musical Arrangements by Stan Graner
CAST
Terry Dobson and Sally Soldo
I'll let you in on a little secret; I have a really
bad case of short attention span syndrome, which is not a great thing to
have when it comes to theater. How many part time theater critics would
admit that publicly- I ask you?
When I sit in the dark and watch a show, it has to both visually and
emotionally grab me by the head immediately & force me to concentrate on
what is going onstage. Think of that contraption they used in the film
CLOCKWORK ORANGE on Malcolm McDowell & you'll get the idea.
Exposition, emotions, and the plot of a play or musical has to act like
a blinding, glittery bauble in front of me to hold my attention, "Oooo
shiny!" That goes for the same in its costuming, scenic design, and
lighting.
If there is way too much exposition or long-winded, drawn out
speeches-well my brain starts to slowly melt into numbness and all
systems start shutting down. I hate that about myself, and over the last
couple of years I've gotten better, but it still happens.
However, if the emotion, writing, and talent on stage are glowing with
energy, truth, and excitement - well I'm alert, awake, & completely
focused on what is transpiring on stage.
This leads me to Theatre Three's current offering, MY OWN PRIVATE DIVA
which premiered last night to a packed house of local theater stars,
directors, and others in the DFW entertainment industry.
A two-person show in a small, intimate cabaret setting with a small
spray of lights and only a piano on stage. For someone like me that is
swimming in short attention span syndrome-this could spell disaster. Two
hours later I left with my heart full of love, respect, and compassion
for its two stars and the piece itself.
Terry Dobson serves as the Resident Musical Director for Theatre Three,
a position he has held since 1980. He has performed in many productions
there as well as an actor. Just last year he earned a Column Award
nomination for Best Actor for his marvelous performance in DIRTY BLONDE.
I also a have a personal connection with Mr. Dobson as he was my musical
director for the regional premiere of Michael LaChusia's THE WILD PARTY.
Last month he accepted my offer to be the musical Director for The
Column Awards Gala, playing and conducting a special RENT number with
Broadway star Anthony Rapp. Suffice to say I know the man that well. I
take that back, I thought I knew he him that well.
MPOD is a personal, intensely private journey into Dobson's life, from
his birth in Slapout Alabama all the way to his current life as one of
the most highly respected, beloved, and treasured artists in the DFW
metroplex theater community.
The book alone is a mixture of laughter, sadness, joy, pain, loneliness,
tears, and deep, personal revelations that bring out all the many
emotional colors that paint Dobson's canvas of his life.
The comedy in the piece is hilarious, hilarious, hilarious! Who knew
Dobson was a comedic genius at writing! Throughout the evening the
laughter grew so high in volume that I'm sure people 20 blocks down
could hear this ear shattering laughter coming from Theatre Three.
Dobson takes his audience on a rip-roaring trip regarding his family,
his life in a small Southern town, being a good Baptist boy in church,
his college days, and so on.
He holds nothing back, in one hysterical monologue he explains his
addiction to church music and chocolate, and in another on how he lost
his virginity.
Dobson holds the audience like a skilled magician who has put a spell on
everyone with his brilliant writing and acting. His comedic timing,
pace, and delivery are matched in perfect sync with his facial
expressions. There are so many gut busting, laugh till you almost pee
scenes and monologues that I honestly don't know which ones to choose
from. There are his problems with foreign languages, his travels to
Russia and New York, his mother, and so on.
He also gives us his personal accounts on working with everyone from
Toni Tennille to Victoria Jackson. I knew Terry and I had a bond when he
revealed he played Moonface Martin in ANYTHING GOES. We Moonies always
need to stick together!
However, when Dobson takes us into his personal, most intimate parts of
his life is where the piece has its soul and compassion. He reveals in
a mixture of great humor and dramatic intensity the night he was
attacked by a teen and when he lost his apartment to a fire.
Then there are the emotional, painful, heart breaking monologues
involving the loss of his father and his lover that had many in the
audience (including myself) choking back tears. He reveals to the
audience with pride and defiance his HIV status, wearing it like a
strong soldier displaying his badge of courage and survival.
As the voice in his head, he has with him on stage one of Theatre
Three's dazzling stars, Sally Soldo, or as I like to call her, "The
first lady of voice at Theatre Three". Soldo has a voice that I never
grow tired of hearing. A glorious, crystal clean soprano that requires
no body mic to belt to the back of the house, but then she can also sing
the softest note. She can sing the entire Denny's menu and make it sound
like a Tony Award winning score.
She portrays on stage the various people that come and go in Dobson's
life. She becomes with a simple costume change everyone from Dobson's
mother, to various friends, to the woman whom he lost his virginity to.
Soldo even plays in one scene Artistic Director Jac Alder!
Soldo sings a plethora of songs from the Broadway history songbook, and
here is why I am such a fan and admirer of Ms. Soldo. She is that very
rare songbird that can reach into your heart and pull tears when she
sings those haunting ballads and torch songs. But then turns around &
has you guffawing with those great comedic numbers as well. I still
consider her rendition of "Ladies who Lunch" when she did COMPANY at
Theatre Three the best I've ever seen that Sondheim classic ever done.
As Dobson's singing diva she has you laughing out loud with "You Can
Always Count on Me" from CITY OF ANGELS and "The Dieter's Prayer" from
HEARTBEATS. I also thoroughly enjoyed Solo's gusty attack on the title
song from MAN OF LA MANCHA. But my favorite number of the night was her
stirring solo of the ballad "50 Percent" from BALLROOM.
This song comes before and after an emotional monologue by Dobson. It is
here when Soldo speaks from the very core of her heart to bring such
vitality, truth, and honesty from the lyrics that had the audience
reaching for Kleenex.
The production works in sublime unison between the book and song. Dobson
has injected into his book not just full songs, but bits and pieces of
songs that comment and reflect what Dobson is saying or thinking.
Both performers are best friends in real life, so the chemistry and
connection is superior. There are several ballads that had Soldo's eyes
well up in tears as she sings. You feel her deep, deep love for her best
friend who is just inches away from her. Many of us have female best
friends, so watching this duo on stage go through each other's lives, I
was constantly reminded of my best friend (Carolyn Freeman) who is now
in California and married. I could feel a huge
lump in my throat rise several times during the evening. The friendship
that Dobson and Soldo have transcends over the stage lights and warms
your heart like a glowing fire.
Way before I got to know and work personally with Dobson, I respected
him greatly as one of the best musical directors in the area. When we
finally did work together, we became good friends who have remained in
contact since that time. But having now seen this production
I look at him in a whole new light of great love, admiration, and
respect than ever before.
I would not be surprised if this production is held over, because every
person involved in theater needs to see this. You would be a fool to
miss this. It's a rare gem of a show that reveals the life of a man so
many of us know. This is one of those productions that is required
attendance. Regardless if you are not in theater, MY OWN PRIVATE DIVA is
a show you and your best friend should not miss!
GRADE: A
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MY OWN PRIVATE DIVA runs through April 5, 2006
Week One: Sun March 26, Mon March 27, Tues, March 28, and Wedn
March 29, 2006
Week Two:Sun April 2, Mon April 3, Tues April 4, and Wedn April 5
All performances begin at 7:15 p.m. with appetizers provided by Tutto
served at 6:30 p.m.
Ticket Prices: $25 & $30. T3's Box Office at 214-871-3300, option 1
or www.theatre3dallas.com |